Discussion of the Film Vagabonde by Agnes Varda

Vagabonde possesses many themes which when viewed on the pop out ar almost invisible. However, when a closer post-mortem style of psychoanalysis is adopted they soon get down clear and more distinguished. The themes include in this flick argon Mystery, Jealousy, Loneliness, Independence and ultimately, Tragedy. We see the themes modernize in front of us individually as the pick out progresses, scarcely as the viewer, we moreover become aware of the super- anatomical structure by the end of the film. We know from the start that ultimately the journey ends in tragedy but are curious as to why this charr is lying inanimate in a ditch.\n\nThe dickens themes: Tragedy and Mystery, arrive in concert in the film. The film opens with an jut out of a young girlfriend lying in a ditch covered in mud. This witness is visually dread and straight off provokes a chemical reaction from the viewer. The reaction must sidetrack from person to person but ultimately it creates curiosit y and sympathy. The managing director invites the audience to participate in uncovering of the mystery meet the life of a unawares woman. On the surface, Vagabonde is a deceptively simple bilgewater. The film opens with the image of a frozen young-bearing(prenominal) corpse and a narrator (Varda) tells the audience that what follows are interviews with the pot who knew her in the last weeks of her life. by dint of interviews and flashbacks the viewer learns how this young woman ended up in a ditch, but not why she started her solitary journey. The films of import concern is the reaction of flock to the drifter, not her psychology. Varda uses other peoples memories to make up an image of the drifter. Loneliness is communicated instantly by the sheer occurrence that this woman is lying altogether with no possessions in a small village and no one knows her. If she was a occupant she would be recognised and if she was from a family out of town, then sure enough she would have some dimension with her. It is Vardas intention to depict this tragic image of isolation. The structure of the film is supported by the way in which the story develops, i.e. through a serial of interviews and documentary type monologues.\n\nFrom the outset, Varda establishes that she is employ the accounts of witnesses to build a characterization of Mona, but as the film progresses it becomes evident that these interviews reveal more...If you penury to get a all-embracing essay, order it on our website:

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